I started in art.
Then I learned to build things.
Now I refuse
to separate them.

I grew up between cultures. That kind of in-between teaches you that most assumptions are constructed — which gives you a strange freedom to decide what you actually believe.

For a period I moved away from the creative life. I told myself it was impractical. I was wrong — not about the economics, but about the cost. Without a creative practice, I was faster but less honest. I came back to making things not for output, but for the clarity only that kind of work provides.

I think the most interesting people take multiple domains seriously — they don't choose between being a thinker and a doer, between having taste and being effective. I am trying to be one of those people.

I live and work in Canada. I'm open to conversations with people who think carefully and build seriously.